Jean Baptiste LULLY
Jean Baptiste Lully, born Giovanni Battista Lulli in Florence November 28, [1] and died in Paris March 22, , was a French composer of Italian origin, Superintendent of the Music of Louis XIV. By his gifts as a musician and organizer as well as courtier and intriguing, Lully dominated the entire musical life in France at the time of the Sun King. He was responsible for several forms that he organized or designed: lyric tragedy, the motet, the French overture. His influence over the entire European music of his time was great, and many of the most gifted (Henry Purcell, George Frideric Handel, Johann Sebastian Bach, Jean-Philippe Rameau) are indebted to him in one capacity or another. Came to France in [2], as a boy he entered the service chamber of the Duchess of Montpensier (la Grande Mademoiselle), who wanted to improve his knowledge of Italian. At the age of thirteen, manifesting serious aptitude for music, he learned the violin, guitar, harpsichord, showed excellent dancer and joined the Big Band of Violins of the King, consisting of 24 instruments. In , Lully danced with the king in the Ballet of the Night. He quickly gained the leadership of a ne
Kurz vor erhielt er die Erlaubnis, ein eigenes Orchester zu gründen, die "Petits Violons". Die zunächst 16, später 21 Musiker übertrafen bald ihr Vorbild, die "24 violons du roi".
Mit dem Beginn der persönlichen Regentschaft Ludwig XIV. () nahme Lully als "Surintendant de la musique du Roi" die Geschicke der französischen Nationalmusik in seine Hand. Durch die Zusammenarbeit mit J.-B. Molière verbesserte Lully seine Bühnenerfahrung und erfand mit diesem zusammen die "Comédie-Ballette". Lullys Opern fanden zu ihrer Zeit auch in Deutschland rasche Verbreitung. Seine Opern wurden erst durch Gluck von den Bühnen abgelöst.
Wichtig für die Verbreitung des Aufführungsstils Lullys sind u.a. sei
J.B. Lully - Biography
Jean-Baptiste Lully, originally Giovanni Battista Lulli (November 28, &#;March 22, ), was an Italian-born French composer, who spent most of his life working in the court of Louis XIV of France. He took French citizenship in
Life
Born in Florence, the son of a miller, Lully had very little education, musical or otherwise, but learnt the guitar and violin. In he was discovered by the Duke of Guise and taken to France by him, where he entered the services of Mademoiselle de Montpensier (la Grande Mademoiselle) as scullery-boy. With the help of this lady his musical talents were cultivated. A scurrilous poem on his patroness resulted in his dismissal.
He then studied the theory of music under M�tra and entered the royal string orchestra of the French court, Les Vingt-quatre Violons du Roi or the Grande Bande and eventually became its conductor. He tired of the lack of discipline of the Grande Bande, and with the King's permission formed his own Petits Violons. In being subsequently appointed director of music to Louis XIV and director of the Paris opera. The influence of his music produced a radical revolution in the styl
Jean-Baptiste Lully
Ernst von Dohnányi, in Preßburg, dem heutigen Bratislava, geboren, war ungarischer Herkunft. Seine cis-Moll-Violinsonate von verrät allerdings kaum diese Provenienz; sie erinnert vielmehr an den Stil von Brahms, dem Dohnányi nacheiferte, ohne dessen Originalität zu erreichen. Hellen Weiß, die in Köln und Dresden lehrt, und Paul Rivinius, der in München lebt, machen in ihrer flüssigen, ausgewogenen Darstellung deutlich, dass das epigonal wirkende, spätromantische Stück kontrastreich gearbeitet ist. Interessanter wirkt die zehn Jahre zuvor komponierte C-Dur-Serenade für Streichtrio, die in ihren fünf Sätzen sowohl Temperament und Sentiment wie auch einen Schuss Humor verrät. Hellen Weiß musiziert mit ihren beiden Partnern schwungvoll und dynamisch flexibel. Vom einleitenden Marsch, der einer alten Serenadentradition entspricht, bis zum humorvollen Finalrondo erlebt man vergnügliche Klänge und Rhythmen.
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