Homage to Enrico Caruso (25/02/ - 02/08/)
This is a non-profit homepage created as a post mortem tribute to the legendary Neapolitan singer and opera star Enrico Caruso who, with his voice, empathy, charisma and gramophone recordings, contributed to making opera known and loved in the world in the beginning of the past century.
When I say non-profit website, that's exactly what this is: No banners, no selling, no adds, no fees, no links that I make money on when clicked, no hidden agenda.
So why on earth spend hundred of hours, as I have, developing this site? Very simple I want to share the beauty of Caruso's singing with others!
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Would you like view additional information, download music, comment or upload related music, you want to share with others? Then join/register here - no strings attached!
Click above to listen to:
"Ora per sempre addio"
(Otello - Verdi, Giuseppe)
&#; Recorded &#;
More information here
Caruso's Music
Until now I have uploaded arias/songs (partly in different versions). View/listen to them here.
Random Quote (view all here)
John McCormack about Caruso's voice:
"36 years later that voice still rings in
Read the short biography of Enrico Caruso and listen to highlights of his career. Caruso changed the Tenor Fach forever. Still Today, years later, he is a reference point to tenors from all over the world. He combined the demands of Belcanto with the intensity of the roles and the vocal power of Verismo. Caruso was the first opera singer to fill stadiums and become popular with the masses. Enrico Caruso was born in in a poor, large family (7 or 21 depending on the source) in Naples. His talent was recognized early and he enjoyed his most important vocal training with Vergine, who taught him free of charge but contractually secured himself 25% of the income of the first five years. Many years of performances in small houses followed. In he sing to Puccini, who reacted with the legendary exclamation: “Who sends you – God?” follows a Russian tour with the famous Tetrazzini and Bastiannini. After his debut in Scala and a legendary Elisir d’amore under Toscanini, his hometown gave him a very cool reception in La bohème. Una furtiva lagrima
Born Errico Caruso (adopted more formal Enrico for stage), February 27 (some sources say 25), , in Naples, Italy; died of pneumonia and peritonitis in in Naples; son of Marcellino (a mechanic) and Anna (Baldini) Caruso; married Dorothy Park Benjamin, ; children: Gloria; (with Ada Giachetti) Rodolfo, Enrico Jr. Education: Studied voice with Guglielmo Vergine, , and Vincenzo Lombardi, Worked as laborer, including jobs as mechanic and jute weaver, beginning c. ; debuted in L'Amico Francesco at Teatro Nuovo, Naples, ; expanded repertoire to include La Traviata, Rigoletto, Aida, and Faust, among others; first sang Canio in I Pagliacci, , and Rodolfo in La Boheme, ; debuted in La Boheme at La Scala, Milan, ; performed internationally, including appearances in Moscow, Buenos Aries, Monte Carlo, and London, beginning in ; made first recordings, ; debuted in U.S. at Metropolitan Opera, New York City, Appeared in silent films My Cousin and A Splendid Romance, ; subject of fictional film biography The Great Caruso, Enrico Caruso's ascendancy coincided with the dawn of the twentieth century, when the world of opera was moving away from the contrived bel canto ("beaut
Enrico Caruso, the quintessential Italian tenor, was the most beloved singer of his day. Critics agreed that he was also probably the best. Known throughout the Western world for his interpretations of operatic roles, he also captured the popular imagination with Neapolitan songs, sentimental period ballads, and that patriotic favorite of World War I, Over There, rendered in his unique variant of the English language. The emergence of the phonograph made Caruso an entertainer as well as an artist, and he, perhaps more than anyone else, demonstrated its potential as a creative medium. Born in Naples near the end of Europe's most placid century, Caruso was one of 18 children of working class parents. At considerable financial sacrifice, he studied voice with Vergine, a noted Neapolitan teacher, who, nevertheless, envisioned for him only a modest future. Singing first in provincial theaters and later with touring companies, Caruso gradually made his way to important opera houses in Monte Carlo, Milan, and London. Though his initial reviews were not always good, audiences responded to him. Despite his increasing girth and a slightly comical stage appearance, h
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