Lilya zilberstein schedule builder

Lilya Zilberstein

Pianistin

Lilya Zilberstein

Die in Russland geborene, weltbekannte Pianistin Lilya Zilberstein begann im Alter von fünf Jahren mit dem Klavierspiel. In den folgenden zwölf Jahren studierte sie in Moskau bei Ada Traub an der Gnessin-Spezialmusikschule und später bei Alexander Satz am Moskauer Gnessin Institut, bei dem sie ihr Konzertexamen absolvierte. hatte sie schon den ersten Preis bei dem Wettbewerb der Russischen Föderation und einen Preis bei der „All-Union’s Competition“ in Riga erhalten.

Der internationale Durchbruch gelang ihr mit dem Gewinn des Busoni-Wettbewerbs in Bozen. Der Sieg war eine Sensation, erst fünf Jahre später wurde überhaupt wieder ein erster Preis vergeben. Seitdem spielt Lilya Zilberstein weltweit mit den berühmtesten Orchestern, in den wichtigsten Konzerthallen und bei den renommiertesten Festivals.

Lilya Zilberstein

Lilya Zilberstein is a Russian-born, world-renowned pianist. She began playing the piano at the age of five. Following twelve years of lessons with Ada Traub at the Gnessin school of music in Moscow, she went on to study with Alexander Satz at the Gnessin Institute, taking her final exam in In she al

Programme & Tickets

Brahms' most popular works are not known to be his own: the "Hungarian Dances". That is why he also insisted that they appear without an opus number and only with the note "set by J.B.". Lilya Zilberstein and her son Anton Gerzenberg, who won the Concours Géza Anda in , present all 21 dances together – with the most famous at the end. The "Paganini Variations" published by Brahms as "Studies for Pianoforte" find a counterpart in a brilliant cycle of variations by the Viennese etude master Carl Czerny.

Followed by artist talk with Anselm Cybinski in the Festivalzentrum

10% discount for RNZettKarte holders at this concert plus one accompanying person, at all RNZ VVK points, cannot be combined with other discounts, regular daily RNZ subscription required.

Piano

Piano


Johannes Brahms
Hungarian dances
Variations on a theme by Paganini op. 35
Hungarian dances

Carl Czerny
Introduction, Variations brillantes et Rondeau de Chasse, op.

Johannes Brahms
Hungarian dances


Auditorium of the New University Heidelberg
Universitätsplatz 1
 Heidelberg

Directions by Car

Parking garages: P8 Kongresshaus, P9 Am Theater, P10 Fr

Lilya Zilberstein (リーリャ・ジルベルシュテイン)

ピアニスト

Lilya Zilberstein (リーリャ・ジルベルシュテイン)。ロシアの女性ピアニスト。年4月19日生まれ。

モスクワ生まれ。5歳からピアノを始める。グネーシン音楽大学でピアノを学ぶ。年のブゾーニ国際ピアノコンクールで優勝。年よりドイツに在住。年にクラウディオ・アバド指揮のベルリンフィルと共演。これまでにシカゴ交響楽団、モスクワのチャイコフスキー交響楽団、ロンドン交響楽団など世界の著名なオーケストラと共演。年からイタリアのキジアーナ音楽院でピアノを教えている。

"リーリャ・ジルベルシュテイン"のおすすめCD、MP3をAmazonで購入

"リーリャ・ジルベルシュテイン"のおすすめYoutubeビデオ

Lilya Zilberstein in Variations sur un Theme de Paganini Op 35 1

Lilya Zilberstein: Moment Musicaux Op. 16, No. 4 in E minor - Presto (Rachmaninov)

Lilya Zilberstein - Rachmaninov Piano Concerto No. 3

Lilya Zilberstein - Early Chopin

Prelude 5 Op Rachmaninov by Lilia Zilberstein

Lilya Zilberstein - Rachmaninov Piano Concerto No. 1

Lilya Zilberstein - Rachmaninov Piano Concerto No. 2

Lilya Zilberstein's interview

Lilya Zilberstein in Tableaux d'une Exposition by M,Moussorgski1

LILYA ZILBERSTEIN ~ J.S BACH Harpsichord (Piano) Concerto in D major

Saint-Saëns: Piano Concerto No.5 ('Egyptian') / Zilberstein · Crudele (part 1)

おすすめアーティスト

Agnieszka Marucha

Sara Trickey

Pnina Salzman

Regis

As you can see above, this CD is assembled from recordings made over a fairly long period of time, and which originally formed part of DG�s 6-CD set of Grieg�s complete orchestral works. What we have here are his two most popular works � the Piano Concerto and the first Peer Gynt Suite � plus the slightly less familiar Peer Gynt Suite no.2 and the delightful Nordic Melodies for strings. This makes a pretty appealing package, especially as the level of performance is very high.

Don�t expect a mind-blowing version of the concerto. It�s one of the drawbacks of the piece that, because it�s so well-known, pianists feel they must at all costs �say something new�. Zilberstein and Järvi resist that temptation, and, hey presto, the concerto does come up sounding fresh and unmannered. There is probably room for greater characterisation of the music here and there, most of all in the finale, where the sense of bravura is closest to the surface. But generally, Zilberstein gives an honest account of the piece, with a magically expressive restraint in the lovely slow movement. Järvi draws very fine playing from the Gothenburg Orchestra, and most of the significant details


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