Gustave courbet biography summary organizer

Gustave Courbetwas a French painter. Born Ornans, France, June 10, Died near Vevey, Switzerland, Dec. 31,
Courbet started the 19th-century movement toward Realism in French painting. In his works he broke sharply with the idealized subject matter of traditional painting. Courbet stated that, unlike the Classicists and Romantics, he would paint only what he could see. His interest in everyday events and average people is illustrated in two of his finest works, The Stonebreakersand A Burial at Ornans(both in the Louvre, Paris).

The Stonebreakers by Courbet

Courbet went to Paris at the age of 20 to study art. His early works were Romantic, but he soon changed to a more realistic style. Many of his paintings, however, continued to show his essentially Romantic nature even as he attempted to portray accurately the world around him. Such famous works as Young Bather (Metropolitan Museum of Art, New York City) and A Spanish Woman(Philadelphia Museum of Art) are Realist in subject matter, but Romantic in mood. During his lifetime, however, he was considered a strict Realist, and Young Batheroutraged spectators because it simply

Gustave Courbet

Born	June 10, Ornans, Doubs, France
Died	Dec. 31, (at age 58) La Tour-de-Peilz, Switzerland
Nationality	French
Movement	Realism
Field	Painting, Sculpting
Works	View Complete Works

French painter Gustave Courbet () was influential in leading the Realist movement of 19th century French painting. Realism as applied to the visual arts refers to a style that describes the simple fact of what the eyes can observe, as opposed to romanticism which was a style that dominated the French art world of the time, and was underscored by strong emotion such as trepidation, terror, or awe. In contrast, the Realist of 19th century France abandoned the overstated emotionalism which was depicted in much of the artwork of that time period, and instead focused on painting subjects that were considered uncouth, such as peasants and the working poor. Gustave Courbet holds a significant place in 19th century French art history as a trend setter, and as a painter who was unafraid to make controversial cultural commentary with his artwork.

Early Life And Rising Influence

Courbet was born Jean Désiré Gustave Courbet in to a successful farming family

June 10, – Gustave Courbet is born at Ornans (Doubs-France)

– Mediocre pupil at the “Petit Séminaire” at Ornans. His drawing master, “le Père Beau” makes him work from Nature.

– Enters the College Royal de Besançon. Courbet has lessons from M. Flajoulot.

– Courbet arrives in Paris and decides to become a painter. He pays frequent visit to the Louvre, where he studies ans imitates the Old Masters, with a marked preference for Velasquez and Rembrandt. He paints several portraits of members of his family and of himself, as well as lanscapes of Franche-Comte. All his life he is to remember the Valley of Ornans.

– His first masterpieces, Courbet au Chien noir, painted in , is also the first entry he submitted to the Salon. In , however, all these pictures are refused. Courbet goes to Holland.

– Courbet makes friends with Corot, Baudelaire, and Proudhon… In the Salon, L’Après-dinée à Ornans, earns him a second medal, and the picture is bought by the State. He paints Les Casseurs de pierre and he starts on L’Enterrement à Ornans.

– His eight pictures are accepted by the Salon : Les Paysans de Flagey revenant de la foire, and above all L

Summary of Gustave Courbet
Gustave Courbet was central to the emergence of Realism in the mid^th century. Rejecting the classical and theatrical styles of the French Academy, his art insisted on the physical reality of the objects he observed - even if that reality was plain and blemished. A committed Republican, he also saw his Realism as a means to champion the peasants and country folk from his home town. He has long been famous for his response to the political upheavals which gripped France in his lifetime, and he would die in exile in Switzerland when he was found responsible for the cost of rebuilding of Paris' Vendome Column. More recently, however, historians have also seen his work as an important prelude to other artists of early modernism such as Édouard Manet and Claude Monet.
Accomplishments
Courbet's Realism can be understood as part of the wider inquiry into the physical world that occupied science in the 19^th century. But in his own realm of art, he was most inspired by his distaste for strictures of the French Academy. He rejected Classical or Romantic treatments and instead took humble scenes of country life - subjects usually considered the stuff of

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